So, Madotsuki in a closet. Any one ever thought this could symbolise her being 'Closeted' in some way?Like a closet lesbian or something, idk.Discuss.
So, Madotsuki in a closet. Any one ever thought this could symbolise her being 'Closeted' in some way?Like a closet lesbian or something, idk.
Discuss.
why does everyone want Madotsuki to be a lesbian?
>>1119It's not a matter of wanting it, it just makes sense.
>>1119
It's not a matter of wanting it, it just makes sense.
Why does she have to be a lesbian? Why can't she just be hiding in there because she's scared?Little kids always hide in closets like that.They're not gay; they're just scared.
Well, she IS most likely a hikikomori, meaning she keeps herself locked in her house/room/wherever. This Closetsuki may represent her feeling of being in a small space in a unfamiliar and large world.
I think it's more along the lines of her being trapped. I think the closet trope is purely a western metaphor (Might be wrong on this), so having this represent that is spurious at best.Escapism and the feeling of being trapped/isolated are two recurrent themes in this game. Hell, you could say they're the main themes, actually. Last edited 10/06/16(Wed)22:09.
I think it's more along the lines of her being trapped. I think the closet trope is purely a western metaphor (Might be wrong on this), so having this represent that is spurious at best.
Escapism and the feeling of being trapped/isolated are two recurrent themes in this game. Hell, you could say they're the main themes, actually.
Last edited 10/06/16(Wed)22:09.
I mentioned Closet Lesbian as an example. I was suggesting she could be cloaseted towards something, not wanting others to know.
It could be how she thinks of her life.She lives in a tiny room, unable or unwilling to leave, sleeping all the time, as it is her only amusement aside from a game of Nasu (It is very exciting)The tree next to her could represent her inability to be outside. Maybe there is no nature viewable from her balcony, making it so she never see any forests or trees or anything.
It could be how she thinks of her life.
She lives in a tiny room, unable or unwilling to leave, sleeping all the time, as it is her only amusement aside from a game of Nasu (It is very exciting)
The tree next to her could represent her inability to be outside. Maybe there is no nature viewable from her balcony, making it so she never see any forests or trees or anything.
What about needing to have the Severed Head effect on in order to see it?Also, I love the Closetsuki thing.
>>1134You can use the midget effect to see it, too.Mado herself see it no matter what. In fact, the severed head/midget might actually be keeping her from seeing it, while they player themselves sees it. Consider things from her viewpoint.
>>1134You can use the midget effect to see it, too.
Mado herself see it no matter what. In fact, the severed head/midget might actually be keeping her from seeing it, while they player themselves sees it. Consider things from her viewpoint.
Maybe a childhood punishment/abuse Mado recalls is being locked in the closet by a relative.
She feels like shit and wants to to curl up and feel better in a closet. Lots of people do it...
>>1144 Then again, there's the DearS one...
Anon, you don't know how happy I am for knowing that I'm not the only one who noticed it. You know, everybody is so busy speaking about Kyukyun-kun, Uboa, and all, and was this closet thing that bugged me.Once I saw a movie in which the protagonist, as a kid, saw his mother having sex while he was hidden in a closet, and that was really bad for him because he thought that his mother was getting hurt. What if Madotsuki saw something really bad while hidden in a closet? Maybe it's stupid, but I just wondered.
Anon, you don't know how happy I am for knowing that I'm not the only one who noticed it. You know, everybody is so busy speaking about Kyukyun-kun, Uboa, and all, and was this closet thing that bugged me.
Once I saw a movie in which the protagonist, as a kid, saw his mother having sex while he was hidden in a closet, and that was really bad for him because he thought that his mother was getting hurt. What if Madotsuki saw something really bad while hidden in a closet? Maybe it's stupid, but I just wondered.
I've been toying with a theory that actually implies the complete opposite, that she's so obsessed with cock that she's disgusted by her own female body. It sort of goes against the grain; my speculation here is that she become a hikki in the first place because she was unable to act on romantic feelings due to this disgust with herself (leading her to think that a boy would be equally disgusted). Going from there, KyuKyu-kun is a representation of phallic glee, the Toriningen's dual personalities are a representation of female emotional volatility (hormonal mood swings during menstruation?) and Poniko is actually a pornographic actress from a film Madotsuki had the misfortune to watch and Uboa is the bukkake ending (the inescapable area "he" transports you to representing Madotsuki's idea that it's women's inescapable fate to be semen receptacles).Stemming from this, I arrived at a less controversial theory that Madotsuki is disgusted by the idea of gender itself, both male and female. This can draw support from the nightmarish iterations of both sex's reproductive organs peppering her dream, and also supplies an interesting take on Masada: While other obviously human NPC's are almost certainly female, Masada is much more sexually ambiguous; his being in a spaceship might represent a desired alternative from the sexual tumult of the "world" left behind and the crash might represent this alternative's unattainability.
I've been toying with a theory that actually implies the complete opposite, that she's so obsessed with cock that she's disgusted by her own female body. It sort of goes against the grain; my speculation here is that she become a hikki in the first place because she was unable to act on romantic feelings due to this disgust with herself (leading her to think that a boy would be equally disgusted). Going from there, KyuKyu-kun is a representation of phallic glee, the Toriningen's dual personalities are a representation of female emotional volatility (hormonal mood swings during menstruation?) and Poniko is actually a pornographic actress from a film Madotsuki had the misfortune to watch and Uboa is the bukkake ending (the inescapable area "he" transports you to representing Madotsuki's idea that it's women's inescapable fate to be semen receptacles).
Stemming from this, I arrived at a less controversial theory that Madotsuki is disgusted by the idea of gender itself, both male and female. This can draw support from the nightmarish iterations of both sex's reproductive organs peppering her dream, and also supplies an interesting take on Masada: While other obviously human NPC's are almost certainly female, Masada is much more sexually ambiguous; his being in a spaceship might represent a desired alternative from the sexual tumult of the "world" left behind and the crash might represent this alternative's unattainability.
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