from the evidence...Poniko was probably Madotsuki's best friend, judging by how grand yet serene the place Poniko lives in (big pink castle with a normal girl's room inside). but take how hard it is to find Poniko's house, this may mean it was difficult for Poniko to spend time with her because she has no other friends and Poniko is a pretty, well adjusted girl with lots of things to do that involve other people that Mado never goes near. now, Madotsuki in her dream can turn off the lights; this may mean that she likes to re-enact something she used to like to do; perhaps she liked Poniko... REALLY liked Poniko, and would turn off the lights and ... do stuff. as for Uboa ... this is where i think things get really messed up. it probably symbolizes a time when they were "having some fun" and perhaps Poniko got realllly into it. I think that Uboa's face is of ecstasy, twisted by Madotsuki's dark view overshadowing. Madotsuki's jealousy of Poniko's happiness in life had erupted to the surface and caused her to smack or punch the shit out of Poniko! Thus the befuddled/swollen/struck face Uboa makes when Mado stabs (attacks) it. The place that Mado gets transported to is endless and impossible to escape, and shows a giant creature searching the water/blood for something that it can never find. Mado's symbol of a hurt friend lies nearby, but underwater, inaccessible forever, but Mado feels powerless and alone. this may symbolize that they lived very near eachother, perhaps next door, and perhaps the reason they were friends is because they grew up together.that's my overwrought theory on Poniko/Uboa :P Last edited 10/06/12(Sat)09:18.
from the evidence...
Poniko was probably Madotsuki's best friend, judging by how grand yet serene the place Poniko lives in (big pink castle with a normal girl's room inside). but take how hard it is to find Poniko's house, this may mean it was difficult for Poniko to spend time with her because she has no other friends and Poniko is a pretty, well adjusted girl with lots of things to do that involve other people that Mado never goes near. now, Madotsuki in her dream can turn off the lights; this may mean that she likes to re-enact something she used to like to do; perhaps she liked Poniko... REALLY liked Poniko, and would turn off the lights and ... do stuff.
as for Uboa ... this is where i think things get really messed up. it probably symbolizes a time when they were "having some fun" and perhaps Poniko got realllly into it. I think that Uboa's face is of ecstasy, twisted by Madotsuki's dark view overshadowing. Madotsuki's jealousy of Poniko's happiness in life had erupted to the surface and caused her to smack or punch the shit out of Poniko! Thus the befuddled/swollen/struck face Uboa makes when Mado stabs (attacks) it. The place that Mado gets transported to is endless and impossible to escape, and shows a giant creature searching the water/blood for something that it can never find. Mado's symbol of a hurt friend lies nearby, but underwater, inaccessible forever, but Mado feels powerless and alone. this may symbolize that they lived very near eachother, perhaps next door, and perhaps the reason they were friends is because they grew up together.
that's my overwrought theory on Poniko/Uboa :P
Last edited 10/06/12(Sat)09:18.
._. ... oh dear, i agree...
I like the last part of the theory, very good symbolism with Cancer.I just can't find myself agreeing on some of the first part, but that is mainly because of my personal views on Mado's and Poniko's ages.(I have it in my mind that Mado is a kid/young teen, and Poniko is an older teen/young adult. Then again, sometimes age doesn't factor into things.)
I like the last part of the theory, very good symbolism with Cancer.
I just can't find myself agreeing on some of the first part, but that is mainly because of my personal views on Mado's and Poniko's ages.(I have it in my mind that Mado is a kid/young teen, and Poniko is an older teen/young adult. Then again, sometimes age doesn't factor into things.)